These Tessar Lo prints have turned out much better than either of us anticipated that they would. The final touching that he did by hand to the last set really makes this print much more closer to an actual painting work! His staining technique makes them have a much more antique-like than something that was just "hot-off-the-presses". He talks about how he did it
here, and now all that's left is to package 'em up and send them off to Seattle for his show at
Roq La Rue this week. If you're in the area, hit it up--its going to be amazing.
Per the artist, this is an edition of 9 serigraphs, 3 artist proofs (also hand-touched) and three printer's proofs, naked. a total of 15 of these prints exist. We've washed out the screens, and that is that. On to the next one--we got a gang of stuff we're working on, and plan to have some official M athame pieces available in January...but first, off to Mexico City for a much needed vacation!...
Now that we've finally gotten back into the proverbial swing of things from kickin' it it Mexico City for a second, we're now moving right onto the next project: a collaboration print with Codak and Food One (Jim Mahfood). Both were cool enough to take time out of their busy schedule to come through my place and work on the vellums right on my dining room table; slobbering dog underneath the table and all. I can't say enough of the skill of these two guys--they basically just took a seat and whipped out some amazing work right then and there. True to the M athame way, I just asked them to do what they do best and go for it--no guidelines, no boundaries...and I have to say we all are super pleased with the results (not to mention a great geeking out session afterwards. Never enough good conversations in the world) More pictures of the process this weekend, and hopefully everything will be ready to go for the Vinyl Toy Network in Pasadena. Moving forward as always...
