In a funky Chinatown studio,
Getting set up.
Tessar mixing his specific salmon color.
Pulling the salmon.
Next up...
Registering the screen.
Pulling the black.
My turn.
Mixing a specific imperial gold.
The evening's harvest.
My favorite pull of mine. It's a dimensional black, copper and gold.
Tessar and I will be fooling around with staining and hand-embellishing our proofs before doing them on the actual editions. Until next time.
Monday, October 27, 2008
Wednesday, October 22, 2008
Tuesday, October 21, 2008
"Give a man a fish...
...and he'll eat for a day. Teach a man how to fish and he'll eat for a lifetime."
Lately it seems that everyone guards their techniques, skills and concepts very close to the chest. Which is understandable, considering how much "homages" have turned into rip-offs, and competition is fierce. But sometimes it's like an old kung-fu movie, where the enemy has a certain secret style, and you must prostrate yourself in front of the old bearded master that lives on the Northwest hillside who is the only one that has the ultra-final-counter attack move that can't be beat. And he's not going to share anything until you clean his well, air out his mat and feed his chickens.
But sometimes, just sometimes, you fall upon someone that is just willing to help you out with some technical stuff, converse about printing theories, and give you some plain simple advice. No strings attached, no other motive than to see things work. When you get that from someone, cherish it--it's not often that someone gives something for nothing.
We'll be posting more on the Tessar Lo/M athame print process very soon, but I just wanted to give credit where credit is due. Rick from McLogans is a wizard among men.
Lately it seems that everyone guards their techniques, skills and concepts very close to the chest. Which is understandable, considering how much "homages" have turned into rip-offs, and competition is fierce. But sometimes it's like an old kung-fu movie, where the enemy has a certain secret style, and you must prostrate yourself in front of the old bearded master that lives on the Northwest hillside who is the only one that has the ultra-final-counter attack move that can't be beat. And he's not going to share anything until you clean his well, air out his mat and feed his chickens.
But sometimes, just sometimes, you fall upon someone that is just willing to help you out with some technical stuff, converse about printing theories, and give you some plain simple advice. No strings attached, no other motive than to see things work. When you get that from someone, cherish it--it's not often that someone gives something for nothing.
We'll be posting more on the Tessar Lo/M athame print process very soon, but I just wanted to give credit where credit is due. Rick from McLogans is a wizard among men.
Sunday, October 19, 2008
work it out.
M athame is pleased to work with Tessar Lo on his first major screenprint/serigraph in LA. We are attacking this project old school and tracing out our layers on vellum before exposing the screens. I'm doing a piece myself that will come to fruition alongside his. Eventually, we are planning to do a versus edition, where we will trade subjects and backgrounds.
Tessar's print will be released in Seattle, November 7th at his two-person show at Roq La Rue Gallery. Stay tuned for more process pictures and information on edition size and other details..
Tessar's print will be released in Seattle, November 7th at his two-person show at Roq La Rue Gallery. Stay tuned for more process pictures and information on edition size and other details..
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